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Showing posts with label James Franco. Show all posts
Showing posts with label James Franco. Show all posts

Monday, 11 March 2013

Box office:What drew filmgoers to 'Oz the Great and Powerful'?

Box office:What drew filmgoers to 'Oz the Great and Powerful'?
This weekend, Sam Raimi's "Oz the Great and Powerful" became the first bona fide blockbuster of the young year (sorry "Identity Thief"). The reasons for any big hit are hard to categorize, and this one's a little more difficult than most. It's a big title that can't draft off the big title. It has four lead actors who are not quite A-listers but who may add up to more than the sum of their parts. (“We wanted to do something with a quartet that collectively said something to the audience,” said producer Joe Roth.) It was a Disney 3-D spectacle that, with James Franco and overtones to a 1939 musical, was also calibrated for audiences of a certain age. "Oz" filmgoers didn't lean one way or another on gender or age; as my colleague Amy Kaufman notes, ticket buyers were nearly 50-50 between men and women, as they were for those older and younger than 25. So what was the main draw for audiences this weekend? Some of the likely factors, and a poll for your interactive pleasure. Francophrenia. James Franco's fan base exists, but its composition isn't easy to discern. Is it young women? Hipsters? "General Hospital" devotees? How deep does his consistuency go, and did they turn out in numbers this weekend? Brand Oz. Raimi didn't riff much on Dorothy (a choice) or use iconic images like ruby slippers (a copyright). But thanks to L. Frank Baum's century-old novels, he still was able to put "Oz" in the title and use flying monkeys, munchkins and other things Emerald City. How many fans came because of these associations above all else? Three witches. Michelle Williams rarely acts in tent poles. Rachel Weisz hasn't been a force for on-screen evil since she sang in "Definitely, Maybe." Mila Kunis has become the people's choice ever since she talked chicken and bad English football. Did they bring in filmgoers? Disney do-right. Many a fairy-tale reinvention has failed in recent years--or, in the case of "Jack the Giant Slayer," recent weeks. But with "Alice in Wonderland" and "Oz," Disney continues to make it work. How many turned out because of the Mouse-y imprimatur? The look. Raimi and production designer Robert Stromberg took great care in making this look deeper and richer than most 3-D pics. But not all of that can come through on our old-fashioned 2-D sets, no matter how flat the screens are. How many people who saw the ads came because of the visuals? Family matters. Putting out a family-friendly movie generally gives you a little head start. Sometimes parents just need something to take their kids to, which is why we're unusually hopeful about our pitch for a live-action “Davey and Goliath” reboot. How many people came because they wanted to take the kids to the movies for a few hours and this was the most feasible option?

News Source:www.latimes.com

James Franco's neighbours claim he is turning LA home into production house

James Franco's neighbours claim he is turning LA home into production house
With acting, directing, academia and musicianship among the myriad strings to his bow, James Franco may be the busiest man in Hollywood. Which is all very well – unless you happen to live next door to him: a couple who are neighbours of the star have accused him of running a "major production company" out of his LA home with scant regard for the disruption it causes. An anonymous email from the couple was recently published by website Curbed Los Angeles, detailing the alleged horrors of living next door to a figure who seems to have a new project on the go every five minutes. Moreover, the email claims, while a constant flow of his employees and collaborators streams in and out of the $750,000 compound in Franco himself does not appear to be living there. "At first, my partner and I were pleased to have Mr Franco living next door," the email says. "His work in Milk and his academic pursuits made us happy he was on our street. That is no longer the case." "If, in fact, Mr Franco has purchased the house next door, it does not appear to be inhabited by the actor; it does appear to be inhabited by several people who are working for him. In addition, over the course of the last weeks the individuals living on the property appear to be running a MAJOR production company out of the house and have also used it for shoots. To be fair, they did provide us with notice for one shoot. Unfortunately, the occasional film shoot comes with living in Los Angeles." "But this appears to be way more than just a film shoot: the property has become a production house. In fact, Iris, who works for the actor informed me that they are running production from the house. Iris is the same individual who, when we complained to her a few weeks ago about constantly blocking our driveway said, 'Have you guys met James?' Yeah, that's not going to make it better." The email goes on to claim that "crowds of people" constantly stream in and out of the property, while some use the area outside the couple's property for business meetings. "[They] treat us as if we are eavesdropping sycophants when we walk out our gate to our car; and as I write this, they've set up hair and makeup in their driveway," complains Franco's neighbour. "When I asked Iris about this, Iris basically informed me they could do whatever they want on their property. Really? Running a production of such impact and magnitude in a residential area doesn't violate any zoning restrictions? Are there no limits to the kinds of businesses one can run?" "We like James Franco and we like some of his movies," the anonymous complainant signs off. "But we're not so enamoured of his presence that we are willing to give up our sanity in our own home." Franco is a famously workaholic multi-hyphenate who, alongside his acting interests, finds time to play in a band, Daddy, has a recurring role on the US soap General Hospital and has taught film and English classes at academic institutions such as USC, NYU, UCLA and CalArts. The former New York University graduate film student debuted his directing debut, Interior. Leather Bar at Sundance in January, where it received a lukewarm response from critics. The festival also saw the screening of Linda Lovelace biopic Lovelace, in which Franco plays Hugh Hefner, and S&M documentary Kink, on which he was a producer. He recently revealed plans to adapt James Ellroy's 1995 novel American Tabloid, about a trio of government agents whose lives become entangled with the assassination of John F Kennedy. None of this presumably holds much water for those living next door to Franco's LA property. Neither the actor nor any member of his production company Rabbit Bandini Productions has yet commented on the complaints.

News Source:www.guardian.co.uk

‘Spring Breakers’ Generates Buzz, James Franco Presents ‘Interior. Leather Bar.’: SXSW

‘Spring Breakers’ Generates Buzz, James Franco Presents ‘Interior. Leather Bar.’: SXSW
Harmony Korine‘s Day-Glo crime thriller Spring Breakers had its U.S. premiere Sunday night at SXSW, where stars Selena Gomez, James Franco, Ashley Benson, and Rachel Korine (minus Vanessa Hudgens) joined their director onstage for a Q&A. “I’d been collecting Spring Break imagery for a couple of years from fraternity sites and co-ed pornography for paintings and artwork”, said Korine, who wrote and directed the pic about college girls who commit robbery to finance their dream Spring Break only to become entangled in the dangerous lifestyle of a Floridian thug named Alien (Franco). “Here were all these hypersexualized, hyperviolent subjects with childlike details — nail polish, bags, stuff like that. So I imagined girls on a beach in bikinis robbing fat tourists”.Grumblings in the audience ranged from delight to bewilderment. The pic earned only a few walkouts — a slim margin for a film this aggressively provocative — and audience members in the post-screening Q&A roared the loudest when Franco obliged a “Spring breaaak” in the heavy drawl of his character, based partially on St. Petersburg rapper Dangeruss. Disney icon Gomez (Wizards Of Waverly Place) drew a contingent of younger fans outside the Paramount Theatre as she walked the red carpet. Inside she sobered the mood when asked about taking on the racy project given her tween idol past: “I didn’t really have too many reservations. I had been a part of something for a while that I was super blessed to be a part of and I wanted to do something that would be different for me”. Anticipation was so high for the SXSW premiere that tickets sold out quickly and lines wrapped around the block. (A priceless exchange came late in the Q&A moderated by SXSW head Janet Pierson. Pierson: “Do you know what ‘prurient’ means?” Korine: “No”.) Meanwhile, Franco made the most of his SXSW visit. After the screening Q&A and after party, he hosted a 2 AM screening and Q&A of his Sundance pic Interior. Leather Bar, programmed last-minute at the Alamo Drafthouse. Upstart distributor A24 and Annapurna Pictures release Spring Breakers this Friday in New York and LA, expanding to wide release next week.

News Source:www.deadline.com

 

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